The Baltimore duo didn't have to travel far to liven up a day at the NPR Music offices. Wye Oak's four-song Tiny Desk Concert draws two songs from a new EP called My Neighbor/My Creator, another from 2007's If Children and an as-yet-unreleased song called "Civilian."
For much of the past year, the band has stunned live audiences with its extraordinary range, moving seamlessly and gracefully from quiet, delicate moments to thundering swells of chaotic rock noise. That said, for this Tiny Desk performance, the trio pulled way back, offering stripped-down versions of songs from Hospice.
The singer was part of a musical scene in 1950s Cuba that produced an entire generation of musical innovators and pioneers. The two classic boleros she performs in this Tiny Desk Concert are a reflection of the passion for life she instills in every performance.
The songs on July Flame orbit around Veirs' acoustic-guitar playing and voice. But it's her idiosyncratic lyrics and melodic flourishes that imbue her music with sun-dappled warmth; hers is the sound of immense, wide-open spaces. When a very pregnant Veirs settled in for this performance behind Bob Boilen's desk, that same kind-hearted intimacy shone through.
As the frontman for Clap Your Hands Say Yeah, Alec Ounsworth wrote brash, poppy songs. But the singer and songwriter clearly had more music to make. In the fall of 2009, he released a solo record called Mo' Beauty, an album he wrote and recorded in New Orleans with a number of local musicians. Here, Ounsworth performs songs from Mo' Beauty, accompanied only by two guitars.
With a trove of instruments, languages and good humor, Abaji demonstrates his passion for music that reflects his numerous family roots, including Armenia, Turkey, Greece and France. Watch him perform a short concert at the desk of All Songs Considered host Bob Boilen.
Castaneda is the sort of musician who isn't afraid to challenge the established order. He's carving out a place for himself in Latin jazz on an instrument you don't often hear in his style of music: the Colombian harp. Castaneda recently parked himself behind Bob Boilen's desk and crafted a transporting mix of tradition and improvisation.
Rawlings is a gifted producer, session guitarist and singer known for his contributions to other musicians' work, and for his longtime partnership with folk and traditional country artist Gillian Welch. But when he and Welch stopped by NPR for this Tiny Desk Concert , it was to promote Rawlings' own album — the first he's ever made under his name.
It's hard to know what will happen when the string quartet Brooklyn Rider starts playing. Yes, these four guys love to play Debussy and Brahms, but they're just as likely to team up with a singer-songwriter or a Kurdish kamancheh player. Or write their own music. So we weren't sure what they'd do when they stopped by the NPR Music offices to play a Tiny Desk Concert. What we got was a bracing sample of their visceral fire.
When The Low Anthem came to perform at NPR Music, the band seemed humbled and comfortable sitting on and around Bob Boilen's desk, playing music as if it were hanging around in someone's living room. The group's sullen, spacious music was a perfect fit for the intimacy of an office.
When Arcuragi came to the NPR Music offices to play a Tiny Desk Concert, many of us hadn't heard his music. After hearing him play three songs, many walked away dazzled by his voice. Arcuragi's voice is powerful, but without unnecessary melodrama.
The adventurous ensemble has been widely praised for its risk-taking attitude. Gathered around Bob Boilen's desk, a stripped-down incarnation of the group plays music by Ravel, then unpacks several Egyptian instruments for an original composition.
After playing a pair of songs from Reservoir, the band closed with a cover of Low's 1999 song "Just Like Christmas." Fanfarlo's members had practiced it all the way from Baltimore to D.C., not exactly a trek across continents, but the result was, well, perfect.